Some fine music comes from Cornwall and the debut album from Elowen keeps that custom alive. This is a selection of traditional songs mixed with covers arranged by Kim Guy and given a creative slant by Elowen. There are overtones of many folk styles and regional influences in the mix yet Elowen has a style all their own. This album reflects the calibre of their music - mostly polished; occasionally a touch ragged at the edges, but it's well-produced and does them credit.

The overall feel is a blend of old yet ageless music that belies the modernity of some of the songs. The first track, Maid in Bedlam introduces Kim Guy's distinctive, moody voice. Some use 'distinctive' without justification, this time it's precisely the right word - the range of her voice adds much to Elowen's sound. It's adventurous including Old Man - especially second track in – Neil Young's songs are tough for anyone other than him to sing well. This version has tight guitar and flute, but strong backing vocals intrude however Elowen makes it work, just, but it works.

Elowen does great with their treatment of songs such as Sweet Thames. They have created a folk-pop feel to the wonderful Ewan MacColl song but that implies no criticism. Phil delivers powerful yet simple lead vocals (more please) enriched with light harmonies. Ornament Tree is another song that shows how well their voices mix - Elowen hit this one perfectly. English Rose (Paul Weller) is a finely crafted arrangement, beautifully presented. Love the phrasing, and the flute adds the right depth. The album also has a fine version of My Johnny was a Shoemaker – including an extra verse added by Yvette. The voices imbue the lyrics with emotion while Michele's violin and Yvette's percussive skills evoke the stormy seas. The enjoyment continues with Keys of Canterbury - more Elowen touches with lead vocal and harmonies spot on.

Clearly influenced by their Cornish 'world' they include Meriasek a tribute to the Cornish/Breton Saint of Camborne, and Oll an Gerriow a traditional Cornish dance tune and song. Both are deeply atmospheric – almost medieval in mood with a lingering edge to the voices. The album closes with the traditional Irish/ Scots (depending on which version you prefer) farewell, Parting Glass.

Elowen is Kim Guy (vocals, guitar, recorder) Michele Cobb (vocals, violin and bodhran) Yvette Cowley (vocals and percussion) and Phil Wisdom (vocals, mandola, flute). Are we going to hear more from Elowen? On the strength of this debut - of course we are. There's promise here that can only grow. Can't wait for the second album.

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