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Album, Gig and Band Reviews
Telling the Bees – debut album ‘Untie the Wind’ (April 21, 2008)
'Poetic lyrics, inspired musicianship, sacred elements reflecting through the folklore of England'

By tradition, people tell their bees about significant events to ensure the bees remain in their hives. I hope the nation’s bee keepers don’t forget to tell their bees about the debut album ‘Untie the Wind’ from Telling the Bees because this is a significant event in English folk. It’s the richness and shadows of English folklore transcended into musical expression and thoughtful lyrics.

Untie the WindTelling the Bees is songwriter Andy Letcher (mandolin, mandolute, English border bagpipes, vocals) Colin Fletcher (electric and double bass) Jane Griffiths (fiddle, viola, concertina, vocals) and Josie Webber (cello, piano accordion, vocals).

‘Untie the Wind’ is an inspiring collection of songs and tunes forged by the magic of old England seen through the dusty doors of myth, ancient belief and history, and brought into today’s world. ‘Waiting for the Dawn’ is a solstice-inspired song, which guides you gently into the band’s mystical, ethereal world with soaring strings hovering over the drive of an insistent bass. ‘Quietly Raging’ gives voice to the trees as they seethe about the increasing, so-called progress-driven destruction of countryside; it should become a sacred song against urban sprawl. ‘Wood’ is a beautiful rustic-flavoured song that reflects as much texture and depth as its subject - you can almost feel the grain running through the tune as the lyrics tell the life of a mandolin from woodsman to minstrel.

There are two instrumentals on the album. ‘Fithfath’ a swirling musical incantation to celebrate shape-shifting transition, which is musically what it does wonderfully well. ‘Lyra’ is either a celebration of the instrument, Ptolemy’s constellation or his theory on musical intervals – interpret as you wish. Both feature a stirring outing for the border bagpipes.

The more you listen the more intriguing the songs become. ‘The Worship of Trees’ – reflects a clear wish to revert to ancestral type and revere arboreal deities. The song builds layer on layer with mournful fiddle, pulsating bass and strident strings to drag you into the world of trees. ‘Telling the Bees’ has gorgeous lyrics: “Down in the garden where the oak tree grows, stands a wooden castle with a paper throne.” It’s whisperingly delicate and fits Andy’s voice as he explores the legend of the hives, while Colin, Jayne and Josie weave their web of strings around him. ‘Barrow Song’ evokes the spirits of the earth and the circle of life. You have to wait until the penultimate track to find the eponymous ‘Untie the Wind’ – believe me it’s worth the wait. There’s so much going on here you’ll miss much of the song’s content first time around, listen again and again.

Telling the Bees kindle all sorts of memories perhaps they are aiming to create a future memory to perpetuate myth and magic. They exude a style focused on the old ways and the continued presence of ancient lore that remains as relevant today as sun and rain. Poetic lyrics, inspired musicianship, sacred elements and the folklore of England – any of those attract you? Then this is the album for you.










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