'The Lark’s March' – a future milestone of the folk tradition (August 12, 2008)
Doubtless ‘The Lark’s March’ the debut solo album from
Patricia Clark will become one of the milestones of the folk tradition. Already
a musician of presence and ability with one of the most natural, distinctive
styles, Patricia has laid down a flawless album that could come from today or
from generations ago. On ‘The Lark’s March’ she seamlessly blends tunes as old
as the hills with her own arrangements to deliver in turn both sensitive, humorous
and dramatic touches.
Young musicians occasionally endure reviews that
praise their art but echo a tinge of surprise that being young they can produce
genius. Patricia may well be young but she touches her art with consummate
skill. That has little to do with years, it’s pure talent - and of course
superb technique, sensitive skill and an inherent understanding of her subject.
From front to back the album is a pure delight. There
are 14 tracks to captivate you, and everyone will find a favourite. My choices
include Patricia’s deft touch on that beautiful Turlough Carolan air, ‘Mr
O’Connor’s’ - while her version of ‘Seoithin Seo’ is the best I’ve heard in
years. With ‘The Groves/The Morning Thrush’ she lifts piping techniques and
applies them to the fiddle – and it’s another gem. Patricia’s composition ‘Wipe
Your Feet on Your Way Out/ The Bright Lights of Buttevegas’ is joyful music
that lifts your soul in a celebration of musical laughter. 'Rosemary Lane',
with Josie on vocals, is a beautiful song superbly delivered. The album closes
with another finely crafted collection of tunes 'Kitty's Rambles/Headwood
Crossing/The Lark's March'.
The enjoyment of this album increases because Patricia
works on many tacks with some outstanding musicians who deserve a mention -
Rodney Lancashire (bouzouki) Liam Joyce (guitar) Josie Harrington (vocals,
guitar) Mark Donnellan (fiddle) and Meabh Felton (dancer).
Musicians listen and learn to hone their talent and
technique, some also soak up the essence of their art, and the difference is
magical. Patricia clearly absorbs the tradition in the air she breathes – this
album is that good. Enough said.
Click here to return to the News page
|